waiting for the Tate Modern to open at 10 o’clock on my fifty second birthday June 1st 2026





in between the hours of our waiting 

life grows like Witchgrass 

through cracks in concrete





twirling and running

brown locks floating

a girl bright in pink stockings 

arms flailing

singing a new day 

anchors away way

all frowns gone

melted honey

death on each breath

smooth and free 

tiny boat she

ripples not waves

deep blue sea

specks of dust

mottled green

flaking rust

gentle eddies

spontaneous flight

caught in the wind

bright blossom

blowing here

sunlit cartwheels

unschooled in fear





now a pigeon

or crow or some unnamed bird

no reason 

just an absurd 

‘why the hell not?’

alights on a street lamp 

which is still on 

a not quite open 

rebell-i-on 

against 

who knows what?


legs statuesque

and crossed

two ladies neatly dressed… 

only eyes move 

mesmerised by tiny shiny screens

stunted followers 

who should have been 

flowers 

they sought sun but found 

artificial light

fingers tenderly stroking 

smooth digital keys 

love flickers darkling night 

strange intimacies





crusty dry marks 

white and red 

stain my clothes

are they 

plague

vague dead 

lonely roses

pockets full of posies 

or merely

the residue of

autoerotic excess? 

just a mess 

someone should have got rid 

of years ago 

but no body did 

my apologies I am going to sneeze 

a-a-a-atichoo (reader acts as if hands covered in snot which they then proceed to wipe off on their clothing)

I’m so sorry 

God bless me! 





at last the thing we all die to hear  

the bells of St Paul’s ring loud and clear 

like a gateway to hell, the doors open wide

and

reluctant 

the girl waves goodbye to the light

the women silence mobile devices 

nameless birds take shrieking flight

and I hesitate

to assume my place within the stream

merrily merrily 

like a dream 

hurry hurrying to escape the sun 

putting an end to childish play 

to gaze at 

walls in Plato’s cave instead 

sad bags checked

numbered and locked away

empty 

all of us already dead 





linger here though with me please a bit longer 

in the sun 

ask what happens

after the last song is sung

fresh green leaves unseen

whisper to no one in the breeze

new birds sing 

test unused wings 

dive headlong through dark seas of cloud that briefly obscure the light

old world’s sadness at the

inevitable loss 

of this strange assemblage of

bone and consciousness 


and as I join the queue 

another light dodger

grumpy old codger

‘if it’s good as over why bother…?’ 

I see a crane

its steel arm stretching higher 

still building 

is it all in vain? or 





does our collective suicide 

always coincide with the birth of a world 

so bold and new and beautiful that 

it shames us into oblivion 

with its all embracing love?